Renwick Rocks!

No Spectators: The Art of Burning Man

Exhibition at Smithsonian’s Renwick Gallery is ongoing through January 21, 2019. For more info: https://americanart.si.edu/ exhibitions/burning-man

Ren Truth is Beauty Marco Cochrabe

“Truth is Beauty”  by Marco Conchrane

Pushing the outer limits of their own space, the Renwick Gallery brings the boundless creativity of Burning Man from Black Rock, Nevada, to the conservative confines of Washington, DC.

Since the first sybaritic spectacle in 1986, the dry lakebed outside Reno has been home to phantasmagoric sculptures, whimsical mechanical devices, and radical art. Minus the sex, drugs, and rock and roll, the Renwick indulges our curiosity in this countercultural contemporary art scene both in the museum and out into the neighborhood. Pick up a map at the museum to find six street art installations nearby, including the giant Grizzly Bear (photo below) made of pennies. Read more ›

Henry James and American Painting

Henry James and American Painting Exhibition at The Morgan Library, NYC

On View through Sept 10, 2017

http://www.themorgan.org/exhibitions/henry-james

Henry James (photogravure above in 1906 and painting of him in 1862) equated the art of the writer with that of the artist, declaring he saw no difference in their acts of creation. In The Art of Fiction, he wrote, “… the honour of one is the honour of another.” Fascinated with the visual arts, James often explored the artistic process, inspiration, and influence of art in his novels.

I thought I’d run in, glance at the Morgan Library exhibit for a half hour and be on my way, but I lingered for two hours. So engaged was I that I read the accompanying wall text—a rarity for me when many museum labels are often, in my humble opinion, a bullshit attempt to be erudite but are frequently just obtuse. Instead, I found myself absorbed in the text, laughing aloud at entertaining stories and James’ numerous observations about his artistic circle of friends such as James McNeill Whistler, John La Farge, and John Singer Sargent among others. Many of his friends were players in James’ novels, and their lives were fodder for his plots. Much of this is clearly evident in images and text selected.

Early in his career, James himself attempted to paint, but–determined to avoid mediocrity–opted instead to write painterly novels, clearly an inspiration to the co-curators, Declan Kiely, head of the Morgan’s Department of Literary and Historical Manuscripts, and novelist Colm Tóibín. They collected an enticing selection of artwork–paintings, drawings, watercolors, sculptures, photographs, as well as the written word–books, manuscripts, and letters from museums and private collections in the United States, Great Britain, and Ireland. They have assembled vivid stories of artistic connectivity. It’s an inspired exhibit.

To read more, check out the NYTimes review: https://www.nytimes.com/2017/07/06/arts/design/henry-james-a-poohbah-who-painted-with-words.html?mcubz=3&_r=0

 

Venetian Women in Palazzo Rezzonico

Venetian Women in Palazzo Rezzonico by John Singer Sargent, c 1880

 

A Venetian Interior by John SInger Sargent 1880

A Venetian Interior by John Singer Sargent 1880

An Interior in Venice 1898 John Singer Sargent

An Interior in Venice by John Singer Sargent 1898

Mrs. Edward Darley Boit JSS 1887

Mrs. Edward Darley Boit by John Singer Sargent, 1887

Val Lewton From Hollywood to Breezewood at AU Katzen Center

VL Paint CansLast few days to see Val Lewton From Hollywood to Breezewood, a retrospective of one of the most talented Washington (by way of Hollywood) artists. Former exhibit designer for Smithsonian’s American Art Museum, Val Lewton had a supreme and unique command of color and composition. (Full disclosure I’m friends with his widow, Claudia Manizozzi (also a painter), and knew Val from my former Smithsonian days. I also own two of his paintings as well as one of Claudia’s. And I wish I had wall space for more.)

VL Truck Cab

I have long been fascinated with building cranes that pierce the sky at construction sites, marveling how something so industrial can be so elegant against the sky. Val Lewton elevates these same scenes and more with his paintbrush to create penetrating and cinematic close-ups of mundane cityscapes: trucks, construction sites, cranes, shovels, gas stations, cars, highways, taxis, traffic jams, smoke stacks, police call boxes. From wrecked and razed construction sites to massive in your face truck cabs you can feel the power of the movement on the road.

VL Whitehurst Freeway

Val makes the ordinary extraordinary in such diverse images as his colorful, overflowing paint cans and his Dale City depictions of suburban sprawl. All on view just till August 13th. If you miss it, check out the accompanying full color catalog with essay by former Washington Post critic, Ben Forgey.

http://www.american.edu/cas/museum/2017/from-hollywood-to-breezewood.cfm

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