Under a moonlit sky in Milan, my friend and I discovered a rare evening treat: an ingenious pairing of art and music. Enclosed behind the Castle walls, for only 15 Euros, we thrilled to dramatic staging of details from the paintings of Caravaggio accompanied by the Milano Chamber Orchestra playing Bach, Handel, Vivaldi, and Monteverdi among others.
Three actors from Teatri 35 captivated us as they deftly draped fabric around themselves changing scenes, positions, and dress 19 times using only the billowy material. They enacted images from Caravaggio’s artwork, then adapted final postures, posing like statues for up to a minute or so while Baroque music enveloped the emotional staging. How they held the poses for as long as they did was astonishing to witness.
Called Vivant Tableaux (Living Paintings), this performance technique of scenic representations originated in the Eighteenth Century and gained popularity in the Nineteenth.
Another night we watched an operatic rendition of Cinderella, using student actors in a parody of the fashion industry as a setting. Among the more amusing takes we recognized were four men in white, pony-tailed wigs and sunglasses lampooning Karl Lagerfeld, and a blond-wigged woman spoofing Donatella Versace in expression and gestures. Though clever and amusing, the performance–accompanied by the beautiful operatic voices of students–went on too long.
We noted (but did not go) that Notturni in Castello (Nights at the Castle) planned a fantasy Harry Potter performance another evening. Clearly, the Castle has something for everyone.
Innovative concerts starting at 9 PM en plein air at Castello Sforzesco run from June through August. You can buy tickets in advance on the grounds during the day. For more information: https://www.notturnincastello.it/
Massena Museum, Nice, France
Housed in a stately, 19th century villa on the promenade des Anglais overlooking the Mediterranean, the Massena Museum —the façades and roofs of which are classified by French Historic Monument Association—offers visitors a viewing of Empire Age salons and furnishings, tranquil English-style Gardens, and temporary exhibits, such as its current photography exhibit, Jean Gilletta et la Cote d’Azur, paysages et reportages, 1870-1930.
As the primary and inexhaustible landscape photographer of the Riveria, Gilletta documented its art and culture, commercialism, and tourism. According to Gilletta’s great nephew, “…nothing escaped his lens,” as he captured a time in flux, casting that lens on the modest and humble as well as the privileged. On construction sites, railways, and bridges. On market vendors, washerwomen, presidents and princes. He recorded rural life and the high life of Nice and Monaco among other sites. From fashionable spa towns, olive groves, and snow-covered mountain peaks to the 1887 earthquake, he was an exemplary reporter and witness for his times.
A 19th century Cartier-Bresson, Gillette preserved those times–forever gone or transformed–through at least 10,000 photos as he tooled around the Cote d’Azur on his three-wheeled, motorized bike—an example of which is on exhibit. In addition to snapping photos, he was also a prolific publisher of postcards and books.
The delightful exhibit opens with head cutouts of peasants of the day. Go ahead, stick your head though the opening slot and journey back in time. (I did; Noel was less enthusiastic.) The guards will take your photos. The balance of the exhibit holds numerous original photo prints of people at play and work along the seaside and in the country. The photographs are small and require time and close-up inspection, but to get a sense of the larger exhibit, the designers have created life-size impressions projected on the walls in each room recreating the ambience in which Gilletta worked. In addition to the photos, there’s a three-wheeled, motorized bike that Gilletta tooled around the Cote d’Azur setting his sights on images to snap. A large box camera he used is also on view.
The show recalls an insouciant time along the Cote d’Azur through five principle themes: Nice the resort capital of France, Nissa la Bella (Nice the Beautiful–the city’s unofficial anthem. Listen on YouTube: https://www.youtube.com/watch?v=15oZvZtsYYw), By the Mountains and the Valleys, Under the Azure along the Coast, and The News in Pictures.
The exhibit closes March 5, 2018.
The Museum’s permanent collection displays the history of Nice from the 19th century up to the end of 1930s. Highlights include Napoléon’s death mask and Josephine’s tiara with its glittery gemstones, gold, and pearls.
Hours: Tuesday-Sunday 11-6, winter; 10-6, summer.
Closed Tuesdays and certain holidays
Tickets: 6 Euros or buy a 7-day pass for 20 Euros (Access to all 12 municipal museums and galleries for 7 days in Nice)
Location: 65, rue de France (ticket entrance)