Massena Museum in Nice, France

 

Massena MuseumMassena Museum, Nice, France

http://www.nice.fr/fr/culture/musees-et-galeries/musee-massena-le-musee 

Housed in a stately, 19th century villa on the promenade des Anglais overlooking the Mediterranean, the Massena Museum —the façades and roofs of which are classified by French Historic Monument Association—offers visitors a viewing of Empire Age salons and furnishings, tranquil English-style Gardens, and temporary exhibits, such as its current photography exhibit, Jean Gilletta et la Cote d’Azur, paysages et reportages, 1870-1930.

 

As the primary and inexhaustible landscape photographer of the Riveria, Gilletta documented its art and culture, commercialism, and tourism. According to Gilletta’s great nephew, “…nothing escaped his lens,” as he captured a time in flux, casting that lens on the modest and humble as well as the privileged. On construction sites, railways, and bridges. On market vendors, washerwomen, presidents and princes. He recorded rural life and the high life of Nice and Monaco among other sites. From fashionable spa towns, olive groves, and snow-covered mountain peaks to the 1887 earthquake, he was an exemplary reporter and witness for his times.

A 19th century Cartier-Bresson, Gillette preserved those times–forever gone or transformed–through at least 10,000 photos as he tooled around the Cote d’Azur on his three-wheeled, motorized bike—an example of which is on exhibit. In addition to snapping photos, he was also a prolific publisher of postcards and books.

Massena Museum Cut out photo 2The delightful exhibit opens with head cutouts of peasants of the day. Go ahead, stick your head though the opening slot and journey back in time. (I did; Noel was less enthusiastic.) The guards will take your photos. The balance of the exhibit holds numerous original photo prints of people at play and work along the seaside and in the country. The photographs are small and require time and close-up inspection, but to get a sense of the larger exhibit, the designers have created life-size impressions projected on the walls in each room recreating the ambience in which Gilletta worked. In addition to the photos, there’s a three-wheeled, motorized bike that Gilletta tooled around the Cote d’Azur setting his sights on images to snap. A large box camera he used is also on view.

The show recalls an insouciant time along the Cote d’Azur through five principle themes: Nice the resort capital of France, Nissa la Bella (Nice the Beautiful–the city’s unofficial anthem. Listen on YouTube: https://www.youtube.com/watch?v=15oZvZtsYYw), By the Mountains and the Valleys, Under the Azure along the Coast, and The News in Pictures.

The exhibit closes March 5, 2018.

The Museum’s permanent collection displays the history of Nice from the 19th century up to the end of 1930s. Highlights include Napoléon’s death mask and Josephine’s tiara with its glittery gemstones, gold, and pearls.

Massena Museum view from window

Practical Info

http://www.nice.fr/fr/culture/musees-et-galeries/musee-massena-le-musee

Hours: Tuesday-Sunday 11-6, winter; 10-6, summer.

Closed Tuesdays and certain holidays

Tickets: 6 Euros or buy a 7-day pass for 20 Euros (Access to all 12 municipal museums and galleries for 7 days in Nice)

Location: 65, rue de France (ticket entrance)

Pierre Chareau: Modern Architecture and Design

Above image from the New York Times A rendering of the virtual reality rendition of the Maison de Verre. CreditDiller Scofidio + Renfro

Pierre Chareau: Modern Architecture and Design, On view at the Jewish Museum in NYC, November 4, 2016 – March 26, 2017.

Having toured the actual Maison de Verre (Glass House) in Paris, I was curious to see how the exhibit could possibly compare to the ingenious interior design and workings of this 1932 home. But in using virtual reality and clever silhouette images, the exhibit is as innovative as the house was. Chareau combined industrial glass, wrought iron, and precious woods in highly original and daring ways and fine craftsmanship. Many actual furniture pieces and lighting are in the exhibit, but the other surprise was learning that Pierre Chareau and his wife Dollie were patrons of the arts. Several works by Picasso, Piet Mondrian, Amedeo Modigliani, Jacques Lipchitz, and Max Ernst are on view as well. Read more ›

Fake?

Fake?

It seems an apt description of our recent presidential election, but, in fact, it’s the title of a fun exhibit at the Tel Aviv Museum of Art. On view are forgeries, fakes, and deliberate deceptions in art, archaeology, religion, literature, fashion, commercial products, and documents. (fake Modigliani heads of women below)

image

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